Topic: Thesis Statement For Carrie By Stephen King

(1) (2) (5) Stephen King’s parents were only together for a short while after Stephen was born.
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There are many forms of movies out there today.

As Timothy Gray wrote that same year, "[t]he entertainment industry is in the business of communications: communicating ideas, emotions and experiences." Yes, some movies are entertaining, but for most filmmakers and others on the creative side of the equation, communicating important ideas is the predominant motivation.

Thesis Statement: Stephen King uses many different elements in order to scare his readers.
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"Why We Crave Horror Movies" by Stephen King - …

Since TV shows and movies provide a large source of entertainment for Americans, networks and Hollywood find themselves constantly competing for viewers.

King, “Why We Crave Horror Movies” (RC 356-60)/Stossel, “The Man Who Counts the Killings” (handout)
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As Gomery points out, "[t]he handful of companies formed more than a half century ago still have hegemony (i.e., preponderant influence or authority) over the creation of the movies and the distribution of them throughout the world. Since the end of the Second World War, they have survived the forced selling of their theatre chains, the rise of network television, the advent of cable and pay television, and most recently, the video cassette revolution. These companies may have new owners, but they show no signs of weakening. Indeed, if anything, they are getting stronger." Even with "new owners", however, the actual control of these major studios has been held by the same narrowly defined interest for the entire period of their existence (see "Who Really Controls Hollywood").

The use of Suspense as a literary element is constant in books written by Stephen King.
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Why We Crave Horror Movies by Jason James on Prezi

Producer Buck Houghton stated as recently as 1991 that motion picture makeup and hairdress " . . . designers set the styles in makeup and hairdress for millions of women by the examples of their work seen on the screen." Patrick Robertson, also writing in 1991 reports that "[n]ot all product placement helps to promote a positive image of the product." He states that "Ford executives were worried that the heavies in cops and robbers movies almost invariably drove about in sleek black Lincoln Towncars, one of Ford's models. Most of these were supplied by the Roger & Cowan product placement agency, who maintain a fleet of 550 Fords for rent at a nominal fee to film-makers. The agency had a simple solution when approached by Ford--supply them with the money to buy a stock of Cadillacs, produced by Ford's main rival General Motors. Now the good guys drive Fords, the bad buys drive Cadillacs." Would Ford have been concerned if not convinced that movies influence behavior?

Thesis statement why we crave horror movies - …

According to The Center for the Study of Commercialism, an advertising watchdog group, " . . . the 1990 release showed 31 different brands, displayed 16 brands, n featured 18 brands and showed 28 brands." Actually, some " . . . see product placement as an important service, while others charge it preys on unsuspecting moviegoers." In either case, both sides of that controversy agree that movies influence behavior, otherwise, there would be no controversy.

Thesis statement why we crave horror movies

The other major trendsetter of the period was Joan Crawford ". . . the padded-shoulder costume . . . (she wore in the 1933 release) . . . started the vogue for tailored suits that sloped upwards from the neck. By this time the big studios were co-operating with the garment trade--most of the moguls had come from that industry themselves--so that the costumes designed for the new genre of 'women's pictures' could be in the shops by the time the film was released." Douglas Gomery also reports that "Hollywood's most honored costume designer, Edith Head . . . (who worked on Hollywood movies starting in 1932) won eight Oscars and helped set fashion trends for two decades."