century and by the 1930s in fashion photography

$ELLEBRITY: A Consideration of the Celebrity as Purveyor of Design in the Fashion World

Body and Fashion Photography Essay Example | Topics …

She has produced and photographed for over ten months, scouting for locations online and working with designers to create enchanting garments for each place, to which she travelled, to photograph herself. Completely re-imagining the studio fashion editorials that Colvin was used to, she took the concept to other worldly landscapes, like Iceland’s fields of moss-covered lava and California’s barren salt flats. created couture garments and designed each piece in collaboration with different designers. , a series of self-portraits, has the dresses acting as a response to the environment where it would be photographed.

Contemporary Fashion Photography.

By designing and having garments constructed for each location, I bridge the gap between the natural world and fashion. I do not venture into these landscapes in search of civilisation, but to take a moment for myself, a quiet, meditative time to reflect and understand my role.

Following the United States’ victory in their fight for independence, the American people would use their newfound freedom from a monarchial society to forge a culture based upon the virtuous and egalitarian tenets of republicanism. To visually establish such an identity for their nation, the population relied heavily on dress as its materiality and visibility made it one of the most evident badges of one’s loyalty to the American cause. Turning to the homemade production of fabric and renouncing objects that evoked the alluring yet threatening European charms of luxury and regality, America defined their national identity through an aesthetic that boasted a conservative and sensible refinement. By closely reading the life and style of American celebrity, Elizabeth Patterson Bonaparte, noting her scandalous and unpatriotic display of dress, one understands the importance placed on citizens’ appearances and the meanings specifically attached to dress in the vulnerable environment of the early American republic. Elizabeth flaunted her French fashions (a body-baring version of the neoclassical style) and opulent jewels throughout American society and was highly criticized as the ideologies behind such a style were incongruent with the American cause of democracy. Analyzed against other female figures from the early nineteenth century, Elizabeth is likened to liberal Parisian social figures like Juliette Récamier and Empress Josephine and contrasted by American representations of ideal republican motherhood. The conflicting nature of her American citizenship and European appearance reflected poorly upon the image of the nation and explains larger issues of how fashion informs national identity. Studying the body politic and the post-American Revolution shift from the royal embodiment of the state by a sovereign king to embodiment by the democratic commonwealth of citizens, we see that women like Elizabeth (upper class, visible bodies) had the unsettling power to taint the representative form of the body politic through fashion. Drawing upon readings which connect the body, dress practices, and political communication, this research defines fashion and its political importance in the formative time and space of the early American nation.


THESIS HELP..for Fashion technology..! | Archinomy

When assigned her thesis, a recent graduate from Parsons School of Design in New York, 22-year old blew our minds, completely justifying the concept of thinking out of the box! Combining her interests in fashion, nature and photography in what she calls

The Photography Chronicles – Hmong Fashion

Through a close look at personal stories, media representation and learned sociocultural norms, it is presumable that social conditions have existed over time that have made the re-construction of a divorced woman’s appearance obligatory to encouraging a sense of resilience. Simply put, a woman’s psyche, when experiencing divorce, becomes tempered by belief systems developed within the culture that surrounds her. Consequently, this cultural agitation plays a key role in producing the dichotomous effect of how a woman presents herself publicly to society whilst managing her emotions privately in the wake of a divorce. Offering ground-breaking research in the field of fashion studies, this paper narrows its focus on how a woman’s sartorial and cosmetic practices become significantly influenced through negotiating the management of her physical appearance and identity both during and following the process of a divorce. Engaging an ethnographic approach through interviews with divorced women, as well as a critical analysis of media representation, I will show how the sartorial and cosmetic practices of the divorced woman can explain how we cope with adversity through the transformation of our appearance, and how psychology and social expectations can directly influence our everyday dress practices more than we acknowledge.

Parsons Festival: BFA Photography Thesis Exhibition …

Using Jean Harlow’s styling as a lens, this thesis explores how (and why) fashion and pre-code Hollywood cinema coalesce to utilize glamour as a carefully crafted vehicle of escapism for society during the Great Depression. Understanding cinema fashion as a product of its time, this thesis examines how the stylization of Jean Harlow’s screen image and costuming relates to broader societal shifts in the production and definition of glamour from the liberated social setting of the 1920’s into the more reformed, morality- driven setting of 1930’s America as embodied by the Motion Picture Production Code.

and books by 66 graduating Seniors of the Parsons BFA Photography ..

Ann Jacoby graduated with honors from the University of Delaware where she received her BS in Fashion Merchandising. In her time at Parsons, she has worked as a teaching assistant and has gained a multitude of experiences working at various magazines and archives. Her MAFS thesis focuses on fashion and politics in the early American nation, particularly the way in which women’s roles and dress practices cultivated an early national identity for the burgeoning republic of America.