Directed by Alejandro Amenábar

With Ana Torrent, Fele Martínez, Eduardo Noriega, Xabier Elorriaga

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Until Act 5, Hamlet repeatedly criticizes himself for unnecessarily delaying the revenge his father’s ghost demands, yet he simultaneously takes several determined and even risky steps toward accomplishing his goal. This apparent contradiction is the central paradox of the play, and unraveling it the key to Hamlet’s character.

Introductions

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Another usually poor tactic is to end your paper on a quotation from a secondary source (another scholar, for example). After spending all that time trying to convince your reader that you are someone worth listening to, why would you want to abandon the end of the paper — the last chance you have to leave a lasting impression with your reader — to someone else?

Finally, here is a second (this one an explication essay, the purpose of which is to examine a poem and explain its meaning and how it conveys it effectively) that ends its introduction with a question. This essay does not use any secondary sources, but it does an excellent job of setting up its focus, asking a question, accumulating evidence, and finally answering the question in its conclusion.

Introduction


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William Faulkner’s As I Lay Dying appeared in 1930. It was his fifth novel. The novel focuses on the Bundren family and their journey to bury Addie Bundren. Faulkner writes the novel in a stream-of-consciousness style.

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But open form is not just a matter of leaving the thesis out. You must define the issue in an open form essay clearly at the outset. Usually this involves describing an area of controversy, but you should not in any way indicate which answer you favor at this point. For example, an introduction for an essay about Hamlet could end by saying,

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The problems here are twofold: the reader almost certainly already knows everything here (if he or she is bothering to read the essay) and some of this information is probably irrelevant to the essay’s argument. Does 1930 matter? Does it being his fifth novel matter? Each might: the year could matter in an essay that discussed the novel’s relationship to contemporary events such as the beginning of the Great Depression, and when the novel occurs in Faulkner’s career could matter in an essay that discusses the development of his style over time. But right now, those factoids seem irrelevant, and odds are that they are. This also gives the reader the impression you are trying to pad the essay’s length.

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One other common error students make in academic essays is to start out writing as if their subject is life in general. This is also a problem of audience: students sometimes think that unless they go out of their way to make their essays relevant to their readers’ lives, the readers will not care. But again, people who decide to read an essay almost certainly already have an interest in the subject — in the case of a literary essay, the play, poem, story, novel, whatever — and do not have to be convinced of its relevance to their lives. Therefore, do not start an academic essay by making an argument about life. More times than I can count, a student has begun an essay with something like this:

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From the beginning of time, teenagers have rebelled against their parents by falling in love. Everybody agrees love is important, but no one seems to know how to go about learning how to act when one is in love. We all expect our first love to be special and last forever, but usually it ends up being ruined by misunderstandings. On the other hand, maybe it is those experiences that allow us to love in a more mature way. People never want to break up with their first loves, but what if the only way to make that happen is to die? Parents want to protect their children from falling in love with the wrong person, but how can they know what their children truly feel? These are the kinds of issues William Shakespeare deals with in Romeo and Juliet.